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SATB
Treulich Geführt (Bridal Chorus from "Lohengrin")
Nicolas
3:05 Est. Play
Time
173 Measures
2,498Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 35 75 9 11 91%
Bass 31 46 7 10 81%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 35 75 9 11 91%
Bass 31 46 7 10 81%
Soprano Treble 14 5 4 7 83%
Alto Treble 11 2 2 7 83%
Tenor Treble 10 6 2 6 70%
Bass Bass 9 0 3 6 63%
 
Themes from Peter and the Wolf.
pcarmich
9:33 Est. Play
Time
251 Measures
3,152Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
Saxophone		 Treble 30 0 18 8 96%
Baritone
Saxophone		 Treble 29 0 17 9 88%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
Saxophone		 Treble 30 0 18 8 96%
Baritone
Saxophone		 Treble 29 0 17 9 88%
Alto
Saxophone		 Treble 31 0 20 9 84%
Soprano
Saxophone		 Treble 31 0 17 12 76%
 
La fin de la fin du monde
ptibogxiv
5:49 Est. Play
Time
169 Measures
1,081Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 12 11 1 5 96%
Alto Treble 10 6 0 5 85%
Hommes Bass 14 9 0 5 75%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 12 11 1 5 96%
Alto Treble 10 6 0 5 85%
Hommes Bass 14 9 0 5 75%
 
L’ELISIR D’AMORE de Donizetti : Chœurs Partie 14/16 Acte 2 : Coro Scena 6
Papibois
3:56 Est. Play
Time
234 Measures
2,329Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 35 53 16 9 96%
Bass 32 79 14 8 91%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 35 53 16 9 96%
Bass 32 79 14 8 91%
Nemorino Treble 15 0 4 8 60%
Adina Treble 16 0 5 7 48%
Dulcamara Bass 17 0 6 6 44%
Soprano
2		 Treble 13 0 2 8 44%
Giannetta Treble 17 0 4 8 44%
Soprano
1		 Treble 12 0 3 8 44%
 
L’ELISIR D’AMORE de Donizetti : Chœurs Partie 7/16 Acte 1 : Coro Scena 5 : È verissimo
Papibois
4:08 Est. Play
Time
159 Measures
1,169Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 37 5 4 93%
Bass 20 14 1 3 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 37 5 4 93%
Bass 20 14 1 3 98%
Dulcamara Bass 11 0 1 3 69%
Soprano
1		 Treble 11 0 2 3 54%
Basse Bass 12 0 1 3 54%
Soprano
2		 Treble 12 0 2 3 54%
Ténor
1		 Treble 11 0 2 3 54%
Ténor
2		 Treble 10 0 2 3 54%
 
L’ELISIR D’AMORE de Donizetti : Chœurs Partie 14/16 Acte 2 : Coro Scena 6 - SOPRANO 2
Papibois
3:56 Est. Play
Time
234 Measures
2,331Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 35 53 16 9 96%
Bass 32 79 14 8 91%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 35 53 16 9 96%
Bass 32 79 14 8 91%
Nemorino Treble 15 0 4 8 60%
Adina Treble 16 0 5 7 48%
Dulcamara Bass 17 0 6 6 44%
Giannetta Treble 17 0 4 8 44%
Soprano
1		 Treble 12 0 4 8 44%
Soprano
2		 Treble 13 0 2 8 44%
 
Altera (For SATB Saxophone Quartet)
Max Gray
7:30 Est. Play
Time
296 Measures
1,782Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone
Saxophone		 Treble 26 0 7 10 90%
Tenor
Saxophone		 Treble 23 0 7 10 87%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone
Saxophone		 Treble 26 0 7 10 90%
Tenor
Saxophone		 Treble 23 0 7 10 87%
Alto
Saxophone		 Treble 26 0 7 10 82%
Soprano
Saxophone		 Treble 25 0 7 10 79%
 
Lamentación Segunda del Jueves Santo (Second Lamentation for Holy Thursday)
rufinb
12:05 Est. Play
Time
265 Measures
7,062Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Keyboard Reduction Treble 40 177 27 13 93%
Bass 32 84 22 12 93%
View all 19 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Keyboard Reduction Treble 40 177 27 13 93%
Bass 32 84 22 12 93%
Violoncello Bass 29 0 16 11 87%
Violin Treble 39 14 27 11 83%
Treble 33 43 22 11 84%
Viola 28 41 17 11 83%
Contrabass Bass 22 1 11 11 82%
Bassoon Bass 30 0 19 11 81%
B♭
Clarinet		 Treble 30 1 19 10 78%
Bass Bass 20 0 12 12 65%
Alto Treble 14 0 8 12 64%
Horn
in
E♭		 Treble 16 0 9 12 63%
Soprano Treble 23 11 12 12 62%
Oboe Treble 24 0 13 10 61%
Tenor Treble 15 0 7 12 58%
Flute Treble 20 0 11 9 49%
E♭
Trumpet		 Treble 20 0 8 10 48%
Ophicleide or
Tuba		 Bass 25 0 14 10 43%
Tenor Solo Treble 14 0 9 9 23%